Feeling like nothing is designed just for the beauty. Everything in its right place, nothing unnecessary is present. Design that concentrates on the essential aspects.
03
Brutalist style layouts.
No additional beauty elements. Clever layouts and bold compositions. Design closer to postal, printed book, magazines blueprints.
04
Honest. Unobtrusive. Understandable.
Not to make a product more innovative, powerful or valuable than it really is. Do not attempt to manipulate the consumer with promises that cannot be kept.
Products fulfilling a purpose are like tools. They are neither decorative objects nor works of art. Their design should therefore be both neutral and restrained, to leave room for the user’s self-expression.
05
Interesting. Hero Images.
Along with graphic design and copywriting, bald pictures play the key role. The better the pictures, the better the overall look, even with shy design and weak text.
06
Aesthetic.
Something between the lines. The product itself, how you talk about it, in what words, how you present it.
Lots of invisible thoughtful decisions.
07
Color usage.
Color can be used as subtle accents, links or boldly, filling large spaces or text with one color.
08
Collage.
When you don't have images with enough quality you always can present them as collages with additional catchy elements.
09
AI Assisted.
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Logotype Redesign. Interactive place.
We use orthographic camera projection to disable perspective transformations of the logotype. Objects in distance don't appear smaller (isometric).
Proportions of each letter changed a little along with camera projection. Letter A was modified the most.
Use interactive zone below where you can play with logotype rotation. Hold left mouse button and drag the mouse to rotate camera. Click right mouse button to reset camera view to default.
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Interactive element
Orthographic projection is a means of representing three-dimensional objects in two dimensions.
Orthographic projection is a form of parallel projection in which all the projection lines are orthogonal to the projection plane, resulting in every plane of the scene appearing in affine transformation on the viewing surface.